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Ken Russell is finding it hard to find commercial backers for his films so is retreating to the occasional television documentary and acting roles to support new ventures. The Rainbow was an attempt to revive the success of Women in Love and while it almost succeeds critically, it failed commercially. But typical of Russell he then comes out with a minor classic, Whore. The Rainbow is the prequel of DH Lawrence's Women in Love. Whereas the novel covers many generations living through the industrialisation of North England, Russell focuses on the rites of passage of Ursula from the child looking at the rainbow through to her self-realisation. She calls herself "a bird blown out of its own latitude".
As a teenager Ursula meets the dashing soldier, who almost seduces her in a church, slowly peeling off her glove, reminiscent of Brando picking up the glove in On the Waterfront. But he cannot compete with the forbidden eroticism of the swimming instructor. Ursula asserts her freedom by becoming a teacher, in a Dickensian school, but it is an unhappy place as she is caught between leering masters and prank-playing children.
Discovering she is pregnant her only hope seems to be with the soldier, but she discovers he has since married. Caught in a fog she comes across horses which terrify her and she flees, the flight across a river causing a fever which almost kills her. She wakes at home, with her parents looking after her, and a rainbow outside her window encourages her to decide her future. Russell uses many of the same
people, actors and technicians, who had worked on Women
in Love: Glenda Jackson and Christopher Gable,
cinematographer Billy Williams and George Cole, gaffer. The film company, Vestron, went
bankrupt just before the release, so the film had no
advertising whatsoever. |
