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Ken Russell
the films
Classic Period: Mahler
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With two flops he needed a commercial success, so returned to classical composers with Mahler. Mahler from 1974 is a film about sacrifice and creativity. It starts with a dream sequence which is Russell at his best and most visual. A train journey provides a rite of passage. Mahler remembers episodes from his life, and on the train itself he confronts jubilant crowds (success), the gutter press (sensationalism), his wife's lovers (infidelity), and the doctor (mortality). A beautiful film mixing true emotion, the death of Mahler's children, with dancing Nazis. At times Powell seems to be influenced by Dirk Bogard from Death in Venice with the similarities going beyond the direct homage included in the film. The domestic sequences of Mahler as a child are similar to those in Savage Messiah. The film cost just over 150,000 pounds and was
shot in seven weeks. The American version was shortened by 30
minutes, mainly by removing the Cosima Wagner sequence. |
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Robert Powell
plays Mahler and Georgina Hale his overshadowed
wife Alma who literally buries her creativity. Oliver Reed appears in a
cameo role as the railway guard- in the book Hellraiser Robert Sellers
states Reed was given three bottles of Dom Perignon for the role. Dana Gillespie the
singer (she recorded Bowie's Andy Warhol before Bowie did)
plays Mahler's mistress, and she wrote the composition
she plays. Photography is by Dick
Bush. |
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The hut by the lake bursting into flames which starts the film. Mahler's idyll has ended.
Coppola pays homage in the opening of Apocalypse Now!
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Alma Mahler
walking down the stairs in a black veil like the shadow
of death. |
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Ken Russell
includes a homage to Death in Venice. |
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Other films released in the same year include The Godfather 2
(sublime) and Towering Inferno. |
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