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The results of
your voting so far are:
| The
best Athol Fugard plays |
The
least popular Athol Fugard plays |
- Master Harold
- Sizwe Bansi is Dead
- The Road to Mecca
- Island
- Boesman and Lena
|
- A Place with the Pigs
- Valley Song
- The Captain's Tiger
- Nongogo
- Playland
|
Best scene in
a Fugard play
- the mime sequence at the beginning of The
Island
- the Author turning into Buks in Valley Song
- in My Children! My Africa! right before Mr. M.
dies...made me cry
- the monologues in A place with the pigs
- the confrontation of Hally in Master Harold
- Am I not a man from Siswe Bansi
the scene between
the granddaughter and the old man in Valley Song
where she has to stop singing and then is able to
sing again: the pain and healing they both have
around that is one of the most moving scenes in
all of his plays!
- "What's the use of a little dream? A
dream must be big and special...". Veronica
in Valley Song
- Lena's conversations with herself and her
dialogue with Outa
- having recently re-read Valley Song, I must
say that I find it one of his most vital,
eloquent, modern statements. It shows so
adequately the pain, experience, and ultimate
triumph of the author and Buks, while keeping
Veronica a fabulous, vivacious, pure soul who
ultimately teaches everyone a thing or two about
life. It shows post-apartheid South Africa in a
painful, expressive way, but ultimately ends with
the hope of a new generation. One of his best...
- Yes I know your name DONOVAN DYLAN BRADSHAW!
(in our version of People are Living There)
- I teach Master Harold to high school students
and it has never ceased to move them
- the party scene in Act 2 of People Are Living
There. The ironies ring out loud and they make me
want to get up off my chair and go and hug each
character in empathy with their predicaments.
This is drama at its ultimate
- when all the candles are lit in The Road To
Mecca
- throwing those doors open in Place With the
Pigs
- Playland- the monologues are harrowing and
moving
- the singing in act two of People Are Living
There
- the kite part in Master Harold
- the "game" scene in Blood Knot
- Master Harold and the Boys from beginning to
end
- Hally's spitting in Sam's face (Master Harold)
-
Boesman and Lena - when Outa dies and Lena
finally says what she wants to, she becomes an
independent person
- The Island - from beginning to end
- when Hally spits on Sam, because it is like
him doing that to his father (Master Harold)
- Antigone in The Island
- "Our skin is our trouble" - Sizwe
Banzi is Dead
- The Island intro pantomime- incredibly moving,
sets the tone for all that follows
- the game in Blood Knot - such atmosphere, the
air seems to be burning
- Willie's magnanimity in the end (Master
Harold)
- Fugard's Notebooks 1963-1977 is a wonderful
read. It provides great insight into his thinking
and observations and how his plays develop from
his and his friends experiences
- Scene 3 ( Counting the days ... "Your
freedom stinks, John" ) in The Island.
Fugard's plays take you on a complete journey of
self discovery... they serve as reminders of our
past but stand strong as statements of belief in
our future
- to me, each and every scene in every play I
saw is the best
- The Island, the scene in the cell between John
and Winston after John has heard news of his
release!!
- A Place with the Pigs
- second half of Statements when philander and
joubert are being flashed by the cameras and
interviewed
- when Hester comes home in Hello and Goodbye.
Played as high comedy
- the butterfly scene in A Place with the Pigs
- every scene in every play
- Sizwe Banzi is Dead- you have your name but
what good will that do you or your children. Your
children can not eat your name
- the telephone scene- its so moving (Island)
- Johnny and Queeny- unable to deal with their
pasts (Nongogo)
- In Statements, the conversation between Errol
and Frieda concerning 42 cents, and no tomorrow.
Also the dialogue about the water in Bontrug
- In Master Harold...and the boys when Hally
towards the end of the play eventually loses it
and goes off about how the reality of life brings
nothing but pain
- the ballroom dancing rehearsal scene in
Master Harold - and the entire People Are
Living There
- Helen Maartens saying: "DARKNESS "
(Mecca)
- the candle scene in The Road to Mecca
- the last scene in My Children My Africa when
Thami must try to explain the death of Mr. M and
Isabel must listen and try to understand.
What an exciting resource. Thank you for the time
and effort you put into this lovely site
- Styles' opening monologue about the Ford
factory, in Sizwe Bansi. The dialogue
between the watchman and the White ex-soldier in
Angola, in Playland
- your Freedom stinks....
- the best scene in Sizwe Bansi is Dead is the
cockroaches scene
- Hello and Goodbye the monologue when she
recalls the hypocrisy of those who look down on
her in the salons of elite hotels- as most of
those women married for money and so are also
prostituting themselves- and the combative
dialogue between the two
- "dreams" in Valley Song
- in Mecca- the telling of the man's betrayal of
both his wife and lover, and the greater parallel
of the new SA
- we are performing Island in Miami. My favorite
scene is when Winston shows his disdain after
hearing of John's release
- all the dialogue in Hello and Goodbye, u
really have to get into it though
- the conversation between Sam and Hally about
the kite making and flying
- the first Scene in Hello and Goodbye - every
scene in Hello and Goodbye. It's the best of his
work I think. I keep coming back to it. I can't
seem to shake it
- the final monologue of Philander's in
Statements: "They can't interfere with God
anymore."
- Hester unpacking the boxes in Hello and
Goodbye
- the party scene in People are living there
- The Road to Mecca IN ITS ENTIRETY!
- the butterfly/car scene in Blood Knot
- the game scene in Blood Knot
-
the candle scene in Mecca
- Gladys' breakdown in Aloes and the physical
fight scene in Hello and Goodbye
- the butterfly scene in Blood Knot
- the forgiveness scene in Playland is
heartbreaking and inspiring. It changed my
life
- in The Island when John has just told Winston
that he's going home soon and Winston talks about
their friendship and the time spent in prison.
You get the feeling that they would do anything
for each other. Athol Fugard is a Master and a
true genius of theatre. I teach Drama to high
school pupils, but it has always been my dream to
direct plays or movies one day too. Fugard
inspires me to try and reach that dream
- Sam and Hally talking about the ballroom
dancing in Master Harold
- My Children! My Africa! The scene before Mr M
dies, its so emotional
- Hester physically attacking Johnnie in Hello
and Goodbye
- Hally's embracing Sam's vision of ballroom
dancing in Master Harold...& the boys.
Why has Fugard not won the Nobel Prize for
Literature? Is it that his honesty has made him
enemies in both the white and black communities
of the world?
- I would have to say it is Hally's monologue
where he describes Sam making the kite for him.
That monologue reveals his colonial constructions
and inadvertent ideology (Master Harold)
- Miss Helen and Elsa at the end of Mecca
- the car scene in Blood Knot. Great idea
to give people a chance to give their opinions
- Milly's resentment for ex-lover (People are
Living There). You're the best playwright,
thank you hope we meet in future
- "...send Christian souls on the road to
Mecca
- Hester and Johnie's entire lines (Hello and
Goodbye)
- about trust...'that's when you drop your
defenses, you lay yourself wide open ... and if
you've made a mistake you are in big trouble and
it hurts like hell"
Road to Mecca
- Hello and Goodbye... the complete works
- the understated eloquence of Sam in Master
Harold
- the closing scene of People are Living There
just shows how tenacious humanity is and how
everyone, even if they think they're hopeless,
has actually got a fairly tight grip on life
- Halley's phone conversation with his mom on
learning that his alcoholic father is coming home
to live out the last cycle of his disease (Master
Harold)
- the scene where Sam finds the courage to
forgive Halley. Halley's humiliation of Sam
amounts to "Loss of innocence" as he is
made to realize that he has the same mindset of
his alcoholic father (Master Harold)
- in Nonogo where Queeny says I'm a woman Johny,
and where she says what man the was no man here
- the beginning of Boesman and Lena
- John and Winston in the cell discussing his
new found freedom in The Island
- Dear Mr Fugard or rather to who it may
concern. I would like to express my
disappointment in your web site. I studied your
township plays and truly believe they are by far
the best work out of Africa and to me undoubtedly
one of the best playwrights in the entire
world. My complaint is about the inadequacy
of your web page. I am a university student
at Cape Breaton University in Canada and I was
recently asked to speak on your plays for a
literature class but when I looked up your web
page for an act for your text I was disappointed
to find that you do not provide any. I
managed to have a book sent to me from my home in
Zimbabwe as there is a very limited knowledge of
your work here. So in short I would like to
request that you post a bit of your work for
future reference. Sir your work is
brilliant, please share it with the rest of the
world
- just saw Exits and Entrances in Santa Barbara!
WOW! One of the closing lines by Andre was
very wonderful, but I cannot remember it exactly.
It was something about the playwright's passion
and setting it on fire or fanning the flames....
- Glady's Act Two monologue in A Lesson From
Aloes. Brilliant and heartbreaking
- at the very end of Master Harold, Willy wants
Sam to feel like there's still hope for the
world, and so he promises Sam that he will never
hit his girlfriend again. It's so sweet.
- the factory scene in Sizwe Bansi is Dead
Best subject
for a new Athol Fugard play
- the guards who were in charge of Steve Biko
- the inmates of Robben Island
prison becoming the tour guides for the new
museum of the prison
-
the Ferry captain who once took
prisoners to Robben Island and now takes tourists
- a play about his father
- more plays dealing with the
present situation in South Africa and the
problems the TRC (Truth and Reconciliation
Commission) has raised
- more political plays
- life in the New South Africa (two votes)
- the changes in what is going on now and how
they could continue to grow and change for the
better
- Cousins: two short related plays
- a play about a relationship between a husband
and wife, starting normally but ending in
separation. Taking place in real time, and
without shouting and screaming just talking
- what's happened since the end of Apartheid in
South Africa
- cool stuff. Anything that is completely
different to all the plays he's written so far
- historical amnesia and the implications
thereof
- a rewrite of "Pigs"
- the white farmers in Zimbabwe
- teachers
- a sequel to People Are Living There. Lets see
Mildred Constance Jenkins in 20 years as she
faces death. And lets see what happened to
Shorty´s love life. What happened to the
lay-about Don. Taking historical changes into
account and the addition of one or two more
characters, it will be a total success - a
further epiphany on the neurosis of our time!
- men abandoning women - child abuse
- something about the United States...he's spent
a fair amount of time there
- alcoholism, down and out type stuff, something
more autobiographical like O'Neill would do
- his father
- Steve Biko
- the story of one of the victims who testified
at the TRC (Truth and Reconciliation Commission)
- the women's perspective in South Africa 1950's
- a story of someone escaping from prison
- life in the concentration camps during the
Anglo-Boer war
- the lives of tramps, in relation to society
and their downfall
- a play set far in Africa's past, like 1600
- an African epic
- Bob Marley
- a comedy
- modern day Nieu Bethesda
- I can't say what cos he always come with
something nice and new !!!!!!!!!!!!! but I wish
and hope to see him rocking today's life
- reality vs. illusion
- love and peace in Africa
- staying true to post-apartheid S.A. he will
tell stories of people we don't know in
situations we have heard of. Maybe something
about people who lost their homes in the recent
floods. He said he'd like to
- homosexuality in the townships and the
people's responses to discrimination of their own
decree
- reverse racism mirroring apartheid showing a
black american and an arab in USA
- South Africa, TODAY. This site is so important
for those of us who are teaching and directing
his works! keep updating. Great selections and
images
- the plight of foreigners who come to SA in
search of the new Jerusalem, and the ordeal they
go through due to the xenophobia rampant in
this country: we are turning into a cold,
mean-spirited little nation that is selfish with
its freedoms! Do something about the people who
have to run and hide in the new South Africa
because of the stigma of makwerekwere!
- the subject that Fugard should maybe do is the
decline of the apartheid system in South Africa
- My Africa
- the concept of God in semitic religions
- a specific narration of his childhood days in
South Africa represented as a sentimental
comedy. Keep up the good work. bless you Mr
Fugard for exposing apartheid through the
ingenious use of art
- New South Africa- 1) capitalist elites vs.
reconstruction of a nation, 2) PAGAD (People
Against Gangsterism and Drugs) from well
intentioned beginning to extremist end? 3) AIDS-
struggling township women 'adopting' abandoned
babies
- the battle of ideas and struggle for power in
the contemporary ANC
- homosexuality, concentrate mostly on prejudice
against them
- something to sum up apartheid, the horrors.
But also to end it once and for all and allow us
to rejoice in our new South Africa
-
I know he doesn't like to live
in the past, but the Craddock 4 would be an ideal
subject, or Amy Biehl. Sorry, but so far neither
of these have had an adequate spokesperson
- traffic- the hustle and bustle of every day
life
- about the current world situation
- Sizwe Bansi is Dead
- Fugard deals with FUTILITY in a most masterful
manner. Anything related to existentialism
- anything that this Master of plays feels he
can do. He is an amazing playwright - maybe
something about his perspective on the world
today told through the lives of some great new
characters
- again the white farmers in Zimbabwe
- love amidst AIDS
- a play about the influences American culture
has had on South Africa. Or a play about
enslaving black people by making them tend to the
owner´s diamond mines
- older man, younger woman, complexity of their
relationship
- about world war 3 or the media and the
relation between people
- one of a black student and her life as
teenager it's of her abuse as a child and the
abuse she goes through as an adult
- Modern day South Africa. The creation of
the Space Theatre in Cape Town and its endeavours
to survive under Apartheid
- Winnie Mandela
- usually the author is the best judge of what
s/he should try next
- Fugard is a brilliant playwright, I'd like him
to write a play about his life. Is Exits and
Entrances about his life? I hope not!! I
love his work. what is his inspiration for such
great works!
- we've heard a lot about Mandela
- white South Africa on the new South Africa.
How do they really feel, are they justified. To
some extent I understand their frustrations but
do you agree?
- tragedy in Zimbabwe
Worst subject
for a new Athol Fugard play
- The Nelson Mandela Story
- the Boer War
- ones about sex? LOL! Not too sure...he's a
brilliant writer, he could pull anything off in
my opinion!
- anything relating to his personal history - he
has done that to death. I would like to see AF
reinvent himself now that the struggle is over
-
the white
perspective
- if it moves him he should do it so I would
never want to tell him what not to do even if it
didn't interest me as much as other subjects
- stuff on apartheid
- who are we to prescribe what writers should or
should not be aware of and responding to.
.."never" such an extreme concept,
perhaps part of the s.a. cultural conscious where
self and other were construed as untranslatable,
an impossibility, hence are continuing implied by
this question for extreme binaries of subjects
- whatever Fugard does, I'm certain, it will be
brilliant!
Amy Irving
- anything about Nelson Mandela
- Jewish comedies
- Nelson Mandela
- there is nothing he should never do,
playwrights explore and put into words what we in
the world cannot or will not....
- Britney Spears and Eminem
- an Elizabethan comedy
- he is the writer - who are we to say what he
cannot do....
- I can't say never to such a writer and the
director......coz theatre is all about something
new. No keep it going .....don't you think of
making a film ? cos u have got that ability
- something non-South African
- plays set in the contemporary South African
context. In that he would lose the innate quality
that the past has a bearing on the events of
contemporary South Africa
- homosexuality; he still hasn't done anything
on heterosexuals
- racism nowdays
- what a presumptuous question! He knows the
answer to that better than anyone else in the
world!!
- druggies~ <(^.^)>...lol
- cliché social events
- enough of apartheid
- broken hearts that never mend
- steer clear from politics, please. We've heard
it all now
- I think anything that Mr Fugard writes would
be an inspiration in many ways. He said himself
that he doesn't read reviews which tells me
that he'll simply write anything he darn well
wants to
- a play about how females get circumsized in
Africa
- subjects that are too personal (sexual
proclivities, etc.)
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