Whore, 1991

She is sick of passing her money to her pimp, and the film develops through flashbacks. There are strong links to Crimes of Passion, and some scenes are repeats of the earlier film, but whereas Crimes of Passion looked at sexuality, Whore is another rite of passage film as the whore develops her independence. This coupled with Theresa speaking straight to the camera make it almost a one-woman film. The mixture of whore and mother is also more convincing than China Blue's dual life.

Although the film is Russell's third American film (Altered States and Crimes of Passion went before) it was originally firmly set in Britain, based on a play by David Hines.  The play, about a prostitute around the London King Cross area, was a monologue which led to Ken Russell's direct-to-camera approach.

The censored title is If You Can't Say It, Just See It.

This was a censored version to be sold in malls and supermarkets. The new title is crudely placed over the original.  It grossed over $1m in America.

Theresa Russell is especially good as the whore.  She is no relation to Ken. Ken Russell has a minor role playing the head waiter. He also does camerawork, credited as Alf Russell.

Huggy Bear from Starsky and Hutch appears.

Brian Tagg from Crimes of Passion (as well as Bruckner and Prisoners of Honor) edits.

Theresa Russell lying on a bench with her long hair falling down, but filmed sideways so it looks as if she is upright and her hair is straight out.

The phallic food.

The two girls talking together or reading or watching a film with one falling asleep.

There is a film within the film.

One scene takes place in a cinema showing The Lair of the White Worm.

There is promiscuous sexuality (compare Crimes of Passion), latent lesbianism and violent rape (compare The Music Lovers).