A Golem/Frankenstein creature (Wagner, killed by Liszt and resurrected by his daughter Cosima) with an electric guitar that is actually a machine gun walks through a ghetto slaughtering Jews, accompanied by children wearing superman-like clothes. Cosima sees a face through a swastika-shaped window and pulls out a voodoo doll and pierces it with a pin to kill the person. Yes, clearly the story of the composer Liszt.

A cheap looking cash-in on Tommy, though Russell says it cost over a million pounds- one of his highest budgets. Roger Daltry´s acting is especially poor even for him.

It is basically a sex comedy though it is not very funny. The concert sequence with squealing girls dressed like Jane Austen is too long and the film collapses into banality.

Typical of Russell, there is a basis in truth. The worst element is the pretentious modern title Lisztomania- but this is actually the title of a book published in Liszt's time.

Another view by site visitor Steve Mobia (thanks Steve) is:

"A constant stream of visual imagination, LisztOmania is the most unconventional and unique of Ken Russell's output.

Whereas the films of Mahler and Tchaikovsky had flashes of brilliance (the 1812 overture scene in The Music Lovers, the conversion scene in Mahler for instance), with Liszt, Russell finds the freedom for full unhinged expression. It must take the cake as the most peculiar biography ever made about a classical composer. The real world Liszt was a master show off, turned the keyboard toward the audience and performed diminished seventh runs as if possessed by the devil. Russell's film depicts Liszt as the first classical "pop star," complete with fanatical pubescent fans (with fans) and groupies. The movie darts in and out of music and film references, historic fact and allegory — all presented in a hyberbolic comic strip fashion. Yes it's often tasteless and crude but that's all a part of the fun.

Though The Devils is arguably Russell's greatest film in both structure and substance, LizstOmania, though not a very well structured movie is dazzling in its audacity. The picture is a must-see for any music student!"

Stuart Baird edits and cinematography is by Peter Suschitzky.  Shirley Russell does costumes.

Not an image but a piece of dialogue, obviously Russell's- "time kills critics my dear".

Two of the Russian icon paintings of saints are actually paintings of Elvis and Pete Townsend.

the Chaplin sequence

The tsarina is similar to the doll in Gothic.

Daltry in his skimpy loin cloth is often a Christ image