| The Notion of Cruelty
in the Work of Sarah Kane by Gaëlle Ranc
Bibliography
Playtexts
and translations
- Kane, Sarah,
Blasted & Phaedra's Love, Methuen, London,
1996.
- Kane, Sarah,
Cleansed, Methuen, London, 1998.
- Kane, Sarah,
Crave, Methuen, London, 1998.
- Kane, Sarah,
Anéantis (translated by Lucien Marchal),
L'Arche, Paris, 1999.
- Kane, Sarah,
Manque (translated by Evelyne Pieiller) &
L'Amour de Phédre (translated by Severine
Magois), L'Arche, Paris, 1999.
- Kane Sarah,
Purifiés (translated by Evelyne Pieiller),
L'Arche, Paris, 1999.
- Kane, Sarah,
4.48 Psychosis, Methuen, London, 2000.
- Kane, Sarah,
Complete Plays: Blasted, Phaedra's Love,
Cleansed, Crave, 4.48 Psychosis, Skin, Methuen,
London, 2001.
Film
script
- Kane, Sarah, Skin
in Complete plays: Blasted, Phaedra's Love,
Cleansed, Crave, 4.48 Psychosis, Skin, Methuen,
London, 2001.
Programmes
- Anon, programme
of Manque directed by Daniel Benoin, Comédie de
Saint-Etienne Centre Dramatique National,
November 1999.
- Anon, programme
of Manque directed by Bernard Sobel, Théâtre de
Gennevilliers Centre Dramatique National, March
2000.
- Anon, programme
of Manque directed by Thomas Ostermeier,
Théâtre National de la colline, June 2001.
Interviews
- Stephenson,
Heidi and Natasha Langride, 'La Forme et le
Sens', extract of 'Sarah Kane' in Rage and
reason: Women Playwrights on Playwriting,
translated by Christel Gassie and Laure Hémain,
LEXI/textes 3, L'Arche, Paris, p. 197-199.
- Stephenson,
Heidi and Natasha Langride, 'Sarah Kane' in Rage
and reason: Women Playwrights on Playwriting,
Methuen, London, 1997, p. 129-35.
- Tabert, Nils,
'Interview with Sarah Kane', translation of
'Gespräch mit Sarah Kane' in Playspotting: Die
Londoner Theaterszene der 90er, translated by
Nils Tabert, unpublished.
- Tabert, Nils,
'S'en tenir à la vérité', extract of
'Gespräch mit Sarah Kane' in Playspotting: Die
Londoner Theaterszene der 90er, translated by
Henri-Alexis Baatsch, LEXI/textes 3, L'Arche,
Paris, p. 205-209.
- Thielemans,
Joan, 'Conversation with Sarah Kane and Vicky
Featherstone', in Ubu European stages, European
Theatre Review, n° 15, December 1999, p. 50-52.
- Thielemans,
Joan, 'Conversation with Sarah Kane and Vicky
Featherstone', unpublished version.
Articles
- Anon, 'Sarah
Kane', Telegraph, 24 February 1999.
- Anon, 'Vicky's
odyssey', Guardian, 12 May 1999* .
- Billington,
Michael, 'Blasted', Guardian, 5 April , 2001*.
- Blondeau,
Nicolas, 'Le désespoir du désespoir',
Libération, 29 November 1999.
- Chantre,
Pierre-Louis, 'Sarah Kane, égérie du jeune
théâtre anglais', Hebdo Suisse, 11 February
1999.
- Clapp, Susannah,
'Blessed Are The Bleak', Observer, 2 July, 2000*.
- Gibbons,
Fiachra, 'Royal Court Takes on Kane's Last Play',
Guardian, 20 September, 1999*.
- Milczach,
Sylvie, 'Crave toujours sur les planches de
l'Usine', La Tribune Le Progrés, 25 November,
1999.
- Montagnier, R.,
'Crave ou le public en manque', Labor, n° 729,
15 December 1999, p. 1.
- Smith, Andrew,
'The Violence of The Damned', Observer, 8 April
2001*.
- Tackels Bruno,
'Les états de chocs du théâtre de Sarah Kane',
Mouvement, Avril/Juin 2001, p. 72-75.
Obituaries
- Alberge, Dalya,
'Drama's Enfant Terrible Takes Her Own Life At
27', The Times, 23 February, 1999.
- Anon, 'Crave, un
sacré testament', Lyon Capitale, 2 December
1999.
- Gardner, Lyn,
James Macdonald and Michael Billington, 'Of Love
And Outrage', Guardian, 23 February, 1999*.
- Gentleman
Amelia, 'Playwright Kane Kills Herself',
Guardian, 23 February, 1999*.
- Hattenstone,
Simon, 'A Sad Hurrah', Guardian Weekend, 1 July
2000*.
- Macdonald,
James, 'They Never Got Her', Observer, 28
February 1999*.
- Marchal, Lucien,
'Anéantis: Sur tes lèvres froides, tu n'y peux
rien, ta mort m'appartient', UBU European Stage,
European Theatre Review, December 1999, p. 71.
- O'Connell,
Vince, 'Letters', Guardian, 25 February 1999*.
- Quinn, Sue,
'Suicidal Writer Was Free to Kill Herself',
Guardian, 23 september 1999*.
- Ravenhill, Mark,
'Sarah Kane', Independent, 23 February, 1999.
- Sierz Aleks,
'The Anniversary of The Death of Sarah Kane',
RealTime 36, April/may 2000.
- Taylor Paul,
'Sarah Kane Was A Writer of Shocking and Angry
Talent', Independent, 23 February 1999.
- Williams, Tessa,
'The Final Curtain', Marie Claire (UK), February,
2001.
Secondary
literature
- Benoin, Daniel,
'On manque à en crever, on crève du manque',
Programme of Manque, November 1999.
- Bond, Edward,
'Sarah Kane et le Théatre', translation of
'Sarah Kane and Theatre' in The Secret Plot,
translated by Christel Gassie, Laure Hémain and
Michel Vittoz, LEXI/textes 3, L'Arche, Paris, p.
201-204.
- Dromgoole,
Dominic, 'Sarah Kane' in The Full Room An A-Z of
Contemporary Playwriting, Methuen, London, 2000,
p. 161-165.
- Greig, David,
'Introduction' in Complete Plays, Methuen,
London, 2001, p. 9-18.
- Pieiller
Evelyne, Introduction in 'Sarah Kane', UBU
European stages, European theatre review, n° 15,
December 1999, p.48-49.
- Pieiller,
Evelyne, 'Manque', Programme of Manque directed
by Daniel Benoin, Comédie de Saint-Etienne
Centre Dramatique National, November 1999.
- Sierz Aleks,
'Sarah Kane' in In-Yer-Face Theatre: British
Drama Today, Faber and Faber, London, 2001, p.
90-121.
- Tabert, Nils,
'Anéantis de Sarah Kane', extract from 'Sarah
Kane Zerbombt' in Spectaculum, vol. 63,
LEXI/textes3, L'Arche, Paris, p. 210-211.
Websites
- Anon, 'The
paradox of Sarah Kane',
wysiwyg://114/http://englishculture/library/weekly/
aa070500a.htm
- Fisher, Iain,
'Sarah Kane', kane.html, January 2001.
- L'Arche, 'Sarah
Kane', http://www.arche-editeur.com/Catalogue/K/kane2
- Lathan Peter,
'Sarah Kane (1971-99)',
http://britishtheatre.com/musicperform/britishtheatre/library/weekly/aa030799,
March 1999
- Sierz Aleks, 'In
Yer Face Theatre', http://www.inyerface-theatre.com,
October 2000.
- Sierz Aleks,
'Sarah Kane' in In-Yer-FaceTheatre, http://www.inyerface-theatre.com/archive7.html
- Sierz Aleks,
'The Anniversary of The Death of Sarah Kane',
http://www.rtimearts.com/~opencity/rt36/sarah.html
- Stahl, Heiko,
'Bibliography: Sarah Kane', in Contemporary
Theatre and Drama in English, http://fb14.uni-mainz.de/projects/cde/bibl/kane.htm,
June 2000.
Other
sources
Artaud
- Artaud, Antonin,
Le Théâtre et son double, Gallimard, Paris,
1964.
- Virmaux, Odette,
Profil d'une oeuvre: Le Théâtre et son Double,
Artaud, Paris: Hatier, 1975.
- Sharpling,
Gerard Paul, Artaud's 'Theatre of cruelty' and
the family romance: some preliminary thoughts,
http://www.offroads.com/artaud/sharpling. htm,
1995.
Bond
- Bond, Edward,
Saved, Methuen, London, 2000.
- Bond, Edward,
Les Noces du Pape & Sauvés, L'Arche, Paris,
1996.
- Bond Edward,
'Notes de l'auteur' in Sauvés, L'Arche, Paris,
1996, p. 227-231.
Büchner
- Büchner, Georg,
Woyzeck, translated by Daniel Benoin, Actes Sud,
Paris, 1988.
- Anon, 'Woyzeck',
Public 44, Saint-Etienne,1988.
Shakespeare
- Shakespeare,
William, Titus andronicus, Flammarion,
Paris,1965.
- Shakespeare,
William, Hamlet, Hachette, Paris, 1994.
- Shakespeare,
William, Le roi Lear, Librio, Paris, 2000.
- Sophocle
- Sophocle, Oedipe
Roi, Gallimard, Paris, 1962.
Guardian articles can
be found on the web site of Guardian Unlimited: http://www.guardian.co.uk
References
|
Introduction |
| 0-01
|
D. Alberge, 'Drama's
Enfant Terrible Takes Her Own Life at 27', Times,
23 February 1999. |
| 0-02 |
A.
Sierz, 'Sarah Kane' in In-Yer-Face Theatre: British Drama
Today, Faber and Faber, London, 2001, p. 91. |
| 0-03 |
Ibid. |
| 0-04 |
Ibid. |
| 0-05 |
A.
Sierz, op. cit., p. 91. |
| 0-06 |
T.
Williams, 'The Final curtain', Marie Claire UK,
February 2001. |
| 0-07 |
She
directed Macbeth and Top Girls when she was at
Bristol university. |
| 0-08 |
A.
Sierz, op. cit., p. 92. |
| 0-09 |
S.
Hattenstone, 'A Sad Hurrah', Guardian, 1 July
2000 |
| 0-10 |
A.
Sierz, op. cit., p. 92. |
| 0-11 |
Ibid. |
| 0-12 |
Ibid. |
| 0-13 |
Ibid. |
| 0-14 |
J.
Thielemans, 'Conversation with Sarah Kane and
Vicky Featherstone', in Ubu European stages,
European Theatre Review, n° 15, December 1999,
p.54. |
| 0-15 |
T.
Williams, op. cit. |
| 0-16 |
J.
Thielemans, op. cit, p. 54. |
| 0-17 |
S.
Hattenstone, op. cit. |
| 0-18 |
D.
Dromgoole, 'Introduction' in The Full Room An A-Z
of Contemporary Playwriting, Methuen, London,
2000, p. 162. |
| 0-19 |
J.
Thielemans, op. cit., p. 54. |
| 0-20 |
Ibid.
p. 55. |
| 0-21 |
S.
Kane, Blasted, Methuen, London, 1996. |
| 0-22 |
A.
Sierz, op. cit, p. 93. |
| 0-23 |
A.
Sierz, op. cit., p. 109. |
| 0-24 |
Ibid. |
| 0-25 |
Eventually,
Kane did direct Woyzeck, on an open set, for the
1997 season. |
| 0-26 |
The
scene between Hippolytus and the priest was
originally written for Baal. |
| 0-27 |
N.
Tabert, 'Interview with Sarah Kane', translation
of 'Gespräch mit Sarah Kane' in
Playspotting: Die Londoner Theaterszene der
90er, Rowohlt Taschenbuch, Reinbek, 1998,
unpublished. |
| 0-28 |
Ibid. |
| 0-29 |
S.
Kane, Phaedra's Love, Methuen, London, 1996. |
| 0-30 |
S.
Kane, Cleansed, Methuen, London, 1998. |
| 0-31 |
S.
Kane, Crave, Methuen, London, 1998. |
| 0-32 |
S.
Kane, Crave, op. cit. |
| 0-33 |
Ibid. |
| 0-34 |
S.
Hattenstone, op. cit. |
| 0-35 |
M.
Ravenhill, 'Sarah Kane', The Independent, 23
February 1999. |
| 0-36 |
S.
Hattenstone, op. cit. |
| 0-37 |
Ibid. |
| 0-38 |
J.
Thielemans, op. cit, p. 55 |
| 0-39 |
D.
Greig, 'Introduction' in Complete Plays, Methuen,
London, 2001. |
| 0-40 |
Notably
in Bulgaria and Spain. |
| 0-41 |
S.
Kane, 4.48 Psychosis, Methuen, London, 2000. |
| 0-42 |
D.
Greig, op. cit., p. 17-18. |
| 0-43 |
A.
Sierz, http://www.inyerface-theatre.com/archive7.html |
| 0-44 |
A.
Sierz, 'Sarah Kane' in In-Yer-Face Theatre:
British Drama Today, Faber and Faber, London,
2001, p. 117. |
| 0-45 |
D.
Greig, op. cit., p. 14. |
| 0-46 |
S.
Kane, Crave, op. cit, p. 43. |
| 0-47 |
A.
Artaud, Le Théâtre et son double, Gallimard,
Paris, 1964. |
|
Chapter One Subversive Theatre
|
| 1-01 |
E.
Pieiller, introduction of 'Sarah Kane' in UBU
European stages, European Theatre Review, n°15,
December 1999, p. 48. |
| 1-02 |
S.
Kane, Blasted, Methuen, London, 1996, p.46.
|
| 1-03 |
S.
Kane, Crave, Methuen, London, 1998, p. 5-6.
|
| 1-04 |
A.
Sierz, In-Yer-Face Theatre: British Drama Today,
op. cit, p. 95. |
| 1-05 |
J.
Thielemans, op. cit., p. 53. |
| 1-06 |
A.
Sierz, op. cit, p. 98. |
| 1-07 |
Ibid.,
p. 97. |
| 1-08 |
Ibid.,
p. 114. |
| 1-09 |
Anon,
'Sarah Kane', Telegraph, 24 February 1999. |
| 1-10 |
F.
Gibbons, 'Royal Court Takes on Kane's Last Play',
Guardian, 20 September 1999. |
| 1-11 |
A.
Sierz, op. cit., p. 97. |
| 1-12 |
Anon,
'The Paradox of Sarah Kane',
wysiwyg://114/http://englishculuture/library/weekly/aa070500a.htm |
| 1-13 |
S.
Kane, Phaedra's Love, Methuen, London, 1996, p.
95. |
| 1-14 |
A.
Sierz, op. cit, p. 105. |
| 1-15 |
M.
Ravenhill, 'Sarah Kane', Independent, 23 February
1999. |
| 1-16 |
S.
Clapp, 'Blessed Are The Bleak', Observer, 2 July
2000. |
| 1-17 |
A.
Sierz, op. cit., p. 99. |
| 1-18 |
Ibid.,
p. 103 |
| 1-19 |
Ibid.
p. 102-103. |
| 1-20 |
A.
Sierz, op. cit.,.117. |
| 1-21 |
N.
Tabert, op. cit. |
| 1-22 |
J.
Thielemans, op. cit., p. 54. |
| 1-23 |
Ibid. |
| 1-24 |
A.
Sierz, op. cit., p. 105. |
| 1-25 |
J.
Thielemans, op. cit., p. 54. |
| 1-26 |
A.
Sierz, op. cit, p. 111. |
| 1-27 |
S.
Kane, Blasted, op. cit, p. 11. |
| 1-28 |
S.
Kane, Crave, op. cit, p. 11. |
| 1-29 |
A.
Sierz, op. cit., p. 117. |
| 1-30 |
G.
Büchner, Woyzeck, translated by Daniel Benoin,
Actes Sud, Paris, 1988. |
| 1-31 |
B.
Tackels, 'Les états de choc du théâtre de
Sarah Kane', Mouvement, June 2001, p. 75. |
| 1-32 |
S.
Kane, Crave, op. cit, p. 13. |
| 1-33 |
A.
Sierz, op. cit, p. 109. |
| 1-34 |
E.
Bond, Saved, Methuen, London, 2000. |
| 1-35 |
E.
Bond, 'Note de l'auteur' in Sauvés,
L'Arche,Paris, 1996, p. 228. |
| 1-36 |
S.
Kane, Crave, op. cit, p. 33. |
| 1-37 |
This
intolerance is embodied by Ian in Blasted for
whom black people are 'coons', 'coakers', 'wogs'
or 'niggers'
and lesbians are 'dyke' or 'lesbos'. |
| 1-38 |
S.
Kane, Crave, op. cit, p. 28. |
| 1-39 |
S.
Kane, Blasted, op. cit, p. 50. |
| 1-40 |
A.
Sierz, op.cit., p.104. |
| 1-41 |
S.
Kane, Blasted, op. cit p. 48. |
| 1-42 |
Ibid.,
p. 43. |
| 1-43 |
Ibid.,
p. 45. |
| 1-44 |
Ibid.,
p. 48. |
| 1-45 |
Ibid.,
p. 47. |
| 1-46 |
Ibid.,
p. 48. |
| 1-47 |
S.
Kane, Crave, op. cit, p. 27. |
| 1-48 |
A.
Sierz, op. cit, p. 100. |
| 1-49 |
Ibid.
p. 100-101. |
| 1-50 |
N.
Tabert, op. cit. |
| 1-51 |
A.
Sierz, op. cit., p. 104. |
| 1-52 |
J.
Thielemans, op. cit, p. 53. |
| 1-53 |
A.
Sierz, op. cit., p. 106 |
| 1-54 |
S.
Kane, Cleansed, Methuen, London, 1998, p. 8. |
| 1-55 |
S.
Kane, Crave, op. cit, p. 10. |
| 1-56 |
S.
Kane, Blasted, op. cit, p. 47-48. |
| 1-57 |
S.
Kane, Crave, op. cit, p. 9. |
| 1-58 |
A.
Sierz, op. cit, p. 98. |
| 1-59 |
Stephenson,
Heidi and Natasha Langride, 'La Forme et le
Sens', extract of 'Sarah Kane' in
Rage and reason: Women Playwrights
on Playwriting, LEXI/textes 3, L'Arche, Paris, p.
198. |
| 1-60 |
S.
Kane, Blasted, p. 50. |
| 1-61 |
G.
Demoy, 'Nexxt' in Metropolis, Arte, July 2001. |
| 1-62 |
S.
Kane, 4.48 Psychosis, op. cit., p. 29. |
| 1-63 |
H.
Stephenson and N. Langride, op. cit., p. 197. |
| 1-64 |
Ibid.,
p. 198. |
| 1-65 |
Ibid. |
| 1-66 |
S.
Kane, Blasted, op. cit., p. 12-13. |
| 1-67 |
Ibid.,
p. 13. |
| 1-68 |
S.
Kane, Crave, op. cit., p. 36. |
| 1-69 |
S.
Kane, Pheadra's Love, op. cit., p. 65. |
| 1-70 |
E.
Bond, 'Sarah Kane et le Théatre', translation of
'Sarah Kane and Theatre' in The Secret Plot,
LEXI/textes 3, L'Arche, Paris, p. 201. |
| 1-71 |
A.
Sierz, op. cit., p. 107. |
| 1-72 |
H.
Stephenson and N. Langride, op. cit., p. 199. |
| 1-73 |
S.
Kane, Blasted, op. cit., p. 48. |
| 1-74 |
S.
Kane, Phaedra's Love, op. cit., p. 65. |
| 1-75 |
E.
Bond, op.cit., p. 204. |
| 1-76 |
S.
Kane, Phaedra's Love, op.cit., p. 65. |
| 1-77 |
Ibid.,
p. 75. |
| 1-78 |
H.
Stephenson and N. Langridge, op. cit., p. 199. |
| 1-79 |
A.
Sierz, op. cit., p. 99. |
| 1-80 |
Ibid.,
p. 93. |
| 1-81 |
J.
Thielemans, 'Conversation with Sarah Kane and
Vicky Featherstone', unpublished version. |
| 1-82 |
Ibid. |
| 1-83 |
N.
Tabert, op. cit. |
| 1-84 |
J.
Thielemans, op. cit. |
| 1-85 |
N.
Tabert, op. cit. |
| 1-86 |
J.
Thielemans, op. cit. |
| 1-87 |
N.
Tabert, op. cit. |
| 1-88 |
H.
Stephenson and N. Langridge, op. cit., p. 198. |
|
Chapter Two Theatre of Cruelty
|
| 2-01 |
F.
Gibbons, 'Royal Court Takes on Kane's Last Play',
Guardian, 20 September, 1999. |
| 2-02 |
A.
Artaud, op. cit. p. 124-5-6. |
| 2-03 |
Ibid.,
p. 128. |
| 2-04 |
A.
Sierz, op. cit., p. 116. |
| 2-05 |
Ibid.,
p. 124-125. |
| 2-06 |
A.
Artaud, op. cit., p. 45-46. |
| 2-07 |
A.
Sierz, op. cit., p. 92-93. |
| 2-08 |
J.
Thielemans, op. cit. |
| 2-09 |
E.
Pieiller, programme of Manque directed by Daniel
Benoin, Comédie de Saint-Etienne Centre
Dramatique National, November 1999. |
| 2-10 |
A.
Sierz, op. cit., p. 121. |
| 2-11 |
Ibid.,
p. 99. |
| 2-12 |
A.
Sierz, op. cit., p. 94. |
| 2-13 |
S.
Kane, Phaedra's Love, op. cit., p. 92. |
| 2-14 |
A.
Artaud, op. cit., p. 45. |
| 2-15 |
G.P.
Sharpling, Artaud's 'Theatre of cruelty' and the
family romance: some preliminary thoughts,
http://www.offroads.com/artaud/sharpling. htm,
1995. |
| 2-16 |
A.
Sierz, op. cit, p. 103. |
| 2-17 |
N.
Tabert, op. cit. |
| 2-18 |
A.
Sierz, op. cit., p. 105. |
| 2-19 |
Ibid.,
p. 99. |
| 2-20 |
N.
Tabert, op. cit. |
| 2-21 |
S.
Kane, Crave, op. cit., p. 28. |
| 2-22 |
Ibid.,
p. 35. |
| 2-23 |
E.
Bond, op. cit., p. 202. |
| 2-24 |
Ibid.,
p. 201. |
| 2-25 |
Ibid.,
p. 201. |
| 2-26 |
Ibid.,
p. 204. |
| 2-27 |
H.
Stephenson and N. Langridge, op. cit., p. 198. |
| 2-28 |
Ibid.,
p. 198-199. |
| 2-29 |
A.
Artaud, op. cit., p. 127. |
| 2-30 |
O.
Virmaux, Profil d'une oeuvre: Le Théâtre et son
Double, Artaud, Paris: Hatier, 1975, p. 37. |
| 2-31 |
A.
Artaud, op. cit., p. 123. |
| 2-32 |
Ibid.,
p. 157-58-59. |
| 2-33 |
S.
Kane, Crave, op. cit., p. 46. |
| 2-34 |
Oedipus
tries to escape his destiny but he will be
trapped by the forces of fatality, even his
rebellion was written. |
| 2-35 |
S.
Kane, Crave, op. cit., p. 5. |
| 2-36 |
Ibid.,
p. 32. |
| 2-37 |
Ibid.,
p.
39. |
| 2-38 |
A.
Artaud, op. cit., p. 46. |
|
Chapter Three Cruelty of Truth
|
| 3-01 |
E.
Pieiller, introduction of 'Sarah Kane' in UBU
European Stages, European Theatre Review, n° 15,
December 1999. |
| 3-02 |
S.
Kane, Crave, op. cit., p. 31. |
| 3-03 |
A.
Sierz, op. cit., p. 116. |
| 3-04 |
T.
Williams, op. cit. |
| 3-05 |
E.
Bond, op. cit., p. 202. |
| 3-06 |
S.
Kane, Crave, op. cit., p. 32. |
| 3-07 |
Ibid.,
p. 29. |
| 3-08 |
Ibid.,
p. 43. |
| 3-09 |
S.
Kane, Phaedra's Love, op. cit., p. 92. |
| 3-10 |
Ibid.,
p. 93. |
| 3-11 |
Ibid.,
p. 94. |
| 3-12 |
S.
Kane, Phaedra's Love, op. cit., p. 93. |
| 3-13 |
Ibid.,
p.95. |
| 3-14 |
Ibid.,
p.95. |
| 3-15 |
A.
Sierz, op. cit., p. 110. |
| 3-16 |
N.
Tabert, op. cit. |
| 3-17 |
S.
Kane, Phaedra's Love, op. cit., p. 74.Ibid., p.
95. |
| 3-18 |
A.
Sierz, op. cit., p. 110. |
| 3-19 |
E.
Bond, op. cit., p. 202. |
| 3-20 |
S.
Kane, Phaedra's Love, p. 94. |
| 3-21 |
Ibid. |
| 3-22 |
Ibid.,
p. 96. |
| 3-23 |
Ibid.,
p. 94. |
| 3-24 |
Ibid.,
p. 96-97. |
| 3-25 |
Ibid.,
p. 96. |
| 3-26 |
A.
Sierz, op. cit., p. 110. |
| 3-27 |
J.
Thielemans, op. cit. |
| 3-28 |
A.
Artaud, op. cit., p. 46. |
| 3-29 |
S.
Kane, 4.48 Psychosis, op. cit., p 27 |
| 3-30 |
S.
Kane, Crave, op. cit., p 11 |
| 3-31 |
N.
Tabert, op. cit. |
| 3-32 |
Ibid. |
| 3-33 |
N.
Tabert, op. cit. |
| 3-34 |
Ibid. |
| 3-35 |
Ibid. |
| 3-36 |
Ibid. |
| 3-37 |
A.
Sierz, op. cit., p. 109. |
| 3-38 |
A.
Sierz, op. Cit., p. 111. |
| 3-39 |
S.
Kane, Phaedra's Love, op. cit., p. 95. |
| 3-40 |
A.
Sierz, op. cit., p. 103. |
| 3-41 |
Ibid. |
| 3-42 |
N.
Tabert, op. cit. |
| 3-43 |
A.
Sierz, op. cit., p. 117. |
| 3-44 |
N.
Tabert, op. cit. |
| 3-45 |
A.
Sierz, op. cit., p. 109. |
| 3-46 |
N.
Tabert, op. cit. |
| 3-47 |
Ibid. |
| 3-48 |
N.
Tabert, op. cit. |
| 3-49 |
S.
Kane, Phaedra's Love, op. cit., p. 95. |
|
Chapter Four Cruelty of Love and Desire
|
| 4-01 |
N.
Tabert, op. cit. |
| 4-02 |
B.
Tackels, 'Les états de chocs du théâtre de
Sarah Kane', Mouvement, Avril/Juin 2001, p. 73. |
| 4-03 |
S.
Kane, Crave, op. cit., p. 6. |
| 4-04 |
S.
Kane,4.48 Psychosis, op. cit., p. 12. |
| 4-05 |
S.
Kane, Phaedra's Love, op. cit., p. 71. |
| 4-06 |
S.
Kane, Crave, op. cit., p. 27.
|
| 4-07 |
Ibid.,
p. 20.
|
| 4-08 |
Ibid.,
p. 32.
|
| 4-09 |
Ibid.,
p. 35. |
| 4-10 |
Ibid.,
p. 37. |
| 4-11 |
S.
Kane, Cleansed, op. cit., p. 22. |
| 4-12 |
S.
Kane, Cleansed, op. cit., p. 4. |
| 4-13 |
Ibid. |
| 4-14 |
Ibid.,
p. 5. |
| 4-15 |
S.
Kane, Cleansed, op. cit., p. 20. |
| 4-16 |
S.
Kane, Crave, op. cit., p. 16. |
| 4-17 |
Ibid.,
p. 16. |
| 4-18 |
Ibid.,
p. 3. |
| 4-19 |
B.
Tackels, op. cit., p. 73. |
| 4-20 |
A.
Sierz, op. cit., p. 109. |
| 4-21 |
S.
Kane, Crave, op. cit., p. 8. |
| 4-22 |
Ibid.,
p. 15. |
| 4-23 |
S.
Kane, Cleansed, op. cit., p. 26. |
| 4-24 |
S.
Kane, Crave, op. cit., p. 26. |
| 4-25 |
S.
Kane, Crave, op. cit., p. 37. |
| 4-26 |
Ibid.,
p. 42. |
| 4-27 |
N.
Tabert, op. cit. |
| 4-28 |
S.
Kane, 4.48 Psychosis, op. cit., p. 28. |
| 4-29 |
S.
Kane, Crave, op. cit., p. 40. |
| 4-30 |
Ibid.,
p. 41. |
| 4-31 |
Ibid.,
p. 42. |
| 4-32 |
S.
Kane, 4.48 Psychosis, op. cit., p. 40. |
| 4-33 |
D.
Benoin, programme of Manque directed by Daniel
Benoin, Comédie de Saint-Etienne Centre
Dramatique National, November 1999. |
| 4-34 |
A.
Sierz, op. cit., p. 110. |
| 4-35 |
S.
Kane, 4.48 Psychosis, op. cit., p. 16 |
| 4-36 |
S.
Kane, Crave, op. cit., p. 3. |
| 4-37 |
S.
Kane, Crave, op. cit., p. 3. |
| 4-38 |
S.
Kane, Crave, op. cit., p. 25. |
| 4-39 |
W.
Shakespeare, Hamlet, Hachette, Paris, 1994. |
| 4-40 |
S.
Kane, Blasted, op. cit., p. 5. |
| 4-41 |
Ibid.,
p. 17. |
| 4-42 |
S.
Kane, Blasted, op. cit., p. 15. |
| 4-43 |
A.
Sierz, op. cit., p. 100. |
| 4-44 |
B.
Tackels, op. cit., p. 73. |
| 4-45 |
S.
Kane, Crave, op. cit., p. 15. |
| 4-46 |
Ibid.,
p. 30. |
| 4-47 |
Ibid.,
p. 6. |
| 4-48 |
Ibid.,
p. 15. |
| 4-49 |
Ibid.,
p. 18. |
| 4-50 |
Ibid.,
p. 29. |
| 4-51 |
B.
Tackels, op. cit., p. 74. |
| 4-52 |
B.
Tackels, op. cit., p. 74. |
| 4-53 |
D.
Greig, op. cit., p. 11. |
| 4-54 |
A.
Sierz, op. cit., p. 114. |
| 4-55 |
A.
Artaud, op. cit., p. 42. |
| 4-56 |
She says, 'Je pleure non de remords, mais de
crainte de ne pouvoir parvenir à
l'assouvissement de ma passion'. |
| 4-57 |
A.
Sierz, op. cit., p. 117. |
| 4-58 |
As
a matter of interest, the actor and the actress
playing the part of the main characters fell in
love while making the film, and now have a child. |
| 4-59 |
N.
Tabert, op. cit. |
| 4-60 |
D.
Greig, op. cit., p. 12. |
| 4-61 |
N.
Tabert, op. cit. |
| 4-62 |
A.
Sierz, op. Cit., p. 116. |
| 4-63 |
B.
Tackels, op. cit., p. 73. |
| 4-64 |
S.
Kane, Crave, op. cit., p. 3. |
| 4-65 |
Ibid.,
p. 6. |
| 4-66 |
S.
Kane, 4.48 Psychosis op. cit., p16 |
| 4-67 |
Ibid.,
p. 6. |
| 4-68 |
A.
Sierz, op. cit., p. 117. |
| 4-69 |
S.
Kane, Cleansed, p. 44. |
|
Chapter Five Despair and Death
|
| 5-01 |
A.
Sierz, op. cit., p. 111. |
| 5-02 |
S.
Kane, Crave, op. cit p. 30. |
| 5-03 |
Ibid. |
| 5-04 |
Ibid.,
p. 10 |
| 5-05 |
Ibid.,
p. 19. |
| 5-06 |
S.
Kane, Phaedra's Love, op. cit., p. 80. |
| 5-07 |
S.
Kane, Crave, op. cit., p. 31. |
| 5-08 |
Ibid.,
p. 28. |
| 5-09 |
S.
Kane, 4.48 Psychosis, op. cit., p.4. |
| 5-10 |
Ibid.,
p. 30-31. |
| 5-11 |
L.
Gardner, J. Macdonald and M. Billington, ' Of
Love and Outrage', Guardian, 23 February, 1999 |
| 5-12 |
S.
Kane, 4.48 Psychosis, op cit., p. 4-5 |
| 5-13 |
Kane,
Crave, op. cit., p. 27. |
| 5-14 |
S.
Kane, 4.48 Psychosis, op. cit., p.37 |
| 5-15 |
Ibid.,
p. 47. |
| 5-16 |
S.
Kane, 4.48 Psychosis, op. Cit., p. 21-22-23. |
| 5-17 |
D.
Greig, op. cit., p. 17. |
| 5-18 |
Ibid.,
p. 7. |
| 5-19 |
S.
Kane, 4.48 Psychosis, op. cit., p. 15. |
| 5-20 |
Ibid.,
p. 14. |
| 5-21 |
Ibid.,
p. 16. |
| 5-22 |
Ibid.,
p. 18. |
| 5-23 |
S.
Kane, 4.48 Psychosis, op. cit., p. 7 |
| 5-24 |
S.
Kane, Crave, op. cit., p. 3. |
| 5-25 |
Ibid.,
p. 22. |
| 5-26 |
Ibid.,
p. 20. |
| 5-27 |
Ibid.,
p. 32. |
| 5-28 |
S.
Kane, Crave, op. cit., p. 32. |
| 5-29 |
D.
Greig, op. cit., p. 17. |
| 5-30 |
S.
Kane, Crave, op. cit., p. 15. |
| 5-31 |
N.
Tabert, op. cit. |
| 5-32 |
S.
Kane, Phaedra's Love, op. cit., p. 74. |
| 5-33 |
S.
Kane, Phaedra's Love, op. cit., p. 77. |
| 5-34 |
Ibid.,
p. 85. |
| 5-35 |
N.
Tabert, op. cit. |
| 5-36 |
N.
Tabert, op. cit. |
| 5-37 |
Ibid. |
| 5-38 |
S.
Kane, Phaedra's Love, op. cit., p. 87. |
| 5-39 |
Ibid.,
p. 92. |
| 5-40 |
S.
Kane, Crave, op. cit., p. 36. |
| 5-41 |
S.
Kane, 4.48 Psychosis, op. cit., p. 8. |
| 5-42 |
Ibid.,
p. 19. |
| 5-43 |
Ibid.,
p. 23. |
| 5-44 |
A.
Smith, 'The Violence of The Damned', Observer, 8
April 2001. |
| 5-45 |
N.
Tabert, op. cit. |
| 5-46 |
S.
Kane, 4.48 Psychosis, op. cit., p. 27. |
| 5-47 |
N.
Tabert, op. cit. |
| 5-48 |
S.
Kane, 4.48 Psychosis, op. cit., p. 31. |
| 5-49 |
Ibid.,
p. 24. |
| 5-50 |
Ibid.,
p. 31. |
| 5-51 |
Ibid.,
p. 26. |
| 5-52 |
Ibid.,
p. 18. |
| 5-53 |
Ibid.,
p. 19. |
| 5-54 |
Ibid.,
p. 23. |
| 5-55 |
Ibid.,
p. 27. |
| 5-56 |
Ibid. |
| 5-57 |
S.
Kane, Crave, op. cit., p. 8. |
| 5-58 |
S.
Kane, 4.48 Psychosis, op. cit., p. 43. |
| 5-59 |
Ibid.,
p. 7. |
| 5-60 |
Ibid.,
p. 10. |
| 5-61 |
S.
Kane, Crave, op. cit., p. 48. |
| 5-62 |
Ibid.
|
| 5-63 |
J.
Thielemans, op. cit. |
| 5-64 |
N.
Tabert, op. cit. |
| 5-65 |
T.
Williams, op. cit. |
| 5-66 |
S.
Kane, Crave, op. cit., p. 14. |
| 5-67 |
Ibid.,
p. 3, 6. |
| 5-68 |
Ibid.,
p. 28. |
| 5-69 |
Ibid.,
p. 3. |
| 5-70 |
Ibid.,
p. 6. |
| 5-71 |
Ibid.,
p. 29. |
| 5-72 |
Ibid.,
p. 3. |
| 5-73 |
S.
Kane, 4.48 Psychosis, op. cit., p. 24. |
| 5-74 |
S.
Kane, Crave, op. cit., p. 5. |
| 5-75 |
Ibid.,
p. 8. |
| 5-76 |
Ibid.,
p. 12. |
| 5-77 |
Ibid.,
p. 22-23. |
| 5-78 |
Ibid.,
p. 20. |
| 5-79 |
S.
Kane, Crave, op. cit., p. 11-12. |
| 5-80 |
Ibid.,
p. 46. |
| 5-81 |
Ibid.,
p. 48. |
| 5-82 |
Ibid.,
p. 45. |
| 5-83 |
Ibid.,
p. 48. |
| 5-84 |
S.
Kane, Blasted, op. cit., p. 55. |
| 5-85 |
S.
Kane, Crave, op. cit., p. 36. |
| 5-86 |
Ibid.,
p. 47. |
| 5-87 |
S.
Kane, Phaedra's Love, op. Cit., p. 83. |
| 5-88 |
Ibid.,
p. 79. |
| 5-89 |
Ibid.,
p. 80. |
| 5-90 |
Ibid.,
79-80. |
| 5-91 |
S.
Kane, Phaedra's Love, op. cit., p. 90. |
| 5-92 |
Ibid.,
p. 88. |
| 5-93 |
Ibid.,
p. 103. |
| 5-94 |
A.
Sierz, op. cit., p. 111. |
| 5-95 |
S.
Kane, Phaedra's Love, op. cit., p. 90. |
| 5-96 |
N.
Tabert, op. cit. |
| 5-97 |
N.
Tabert, op. cit. |
| 5-98 |
S.
Kane, 4.48 Psychosis, op. Cit., p. 30. |
| 5-99 |
S.
Kane, Crave, op. cit., p. 5. |
| 5-100 |
S.
Kane, 4.48 Psychosis, op. Cit., p. 3. |
| 5-101 |
S.
Kane, Crave, op. cit., p. 5. |
| 5-102 |
Ibid.,
p. 42. |
| 5-103 |
Ibid.,
p. 11, 14, 34. |
| 5-104 |
S.
Kane, Crave, op. cit., p. 43. |
| 5-105 |
Ibid.,
p. 42. |
| 5-106 |
S.
Kane, 4.48 Psychosis, op. cit., p. 11. |
| 5-107 |
Ibid.,
p. 39. |
| 5-108 |
A.
Sierz, op. cit., p. 91. |
| 5-109 |
Ibid.,
p. 107. |
|
Chapter Six Investigation of Form
|
| 6-01 |
E.
Pieiller, op. cit., p. 49. |
| 6-02 |
A.
Artaud, op. Cit., p. 117. |
| 6-03 |
J.
Thielemans, op. cit. |
| 6-04 |
Ibid. |
| 6-05 |
D.
Dromgoole, op. cit., p. 162. |
| 6-06 |
N.
Tabert, op. cit. |
| 6-07 |
N.
Tabert, op. cit. |
| 6-08 |
M.
Billington, 'Blasted', Guardian, 5 April, 2001. |
| 6-09 |
M.
Ravenhill, op. cit. |
| 6-10 |
N.
Tabert, op. cit. |
| 6-11 |
N.
Tabert, op. cit. |
| 6-12 |
J.
Thielemans, op. cit. |
| 6-13 |
N.
Tabert, op. cit. |
| 6-14 |
A.
Sierz, o cit., p. 101. |
| 6-15 |
Ibid. |
| 6-16 |
Ibid. |
| 6-17 |
H.
Stephenson and N. Lagridge, op. cit., p. 197. |
| 6-18 |
Ibid. |
| 6-19 |
A.
Sierz, op. cit., p. 92. |
| 6-20 |
Ibid.,
p. 115. |
| 6-21 |
Ibid.,
p. 106. |
| 6-22 |
J.
Thielemans, op. cit. |
| 6-23 |
D.
Greig, op. cit., p. 12-13. |
| 6-24 |
S.
Hattenstone, op. cit. |
| 6-25 |
N.
Tabert, op. cit. |
| 6-26 |
Ibid. |
| 6-27 |
A.
Sierz, op. cit., p. 108. |
| 6-28 |
Ibid. |
| 6-29 |
Ibid.,
p. 108 |
| 6-30 |
Ibid.,
p. 115. |
| 6-31 |
J.
Macdonald, op. cit. |
| 6-32 |
D.
Greig, op. cit., p. 12-13. |
| 6-33 |
A.
Sierz, op. cit., p. 115. |
| 6-34 |
Ibid.,
p.114. |
| 6-35 |
A.
Sierz, op. cit., p. 115. |
| 6-36 |
N.
Tabert, op. cit. |
| 6-37 |
S.
Hattenstone, op. cit. |
| 6-38 |
A.
Sierz, op. cit., p. 100. |
| 6-39 |
D.
Greig, op. cit., p. 9. |
| 6-40 |
N.
Tabert, 'Anéantis de Sarah Kane', extract from
'Sarah Kane Zerbombt' in Spectaculum, vol. 63,
LEXI/textes3, L'Arche, Paris, p. 210. |
| 6-41 |
Ibid.,
p. 211. |
| 6-42 |
D.
Greig, op. cit., p. 10. |
| 6-43 |
Ibid.,
p. 9-10. |
| 6-44 |
A.
Sierz, op. cit., p. 98. |
| 6-45 |
H.
Stephenson and N. Langridge, op. cit., p. 197. |
| 6-46 |
A.
Sierz, op. cit., p. 106. |
| 6-47 |
N.
Tabert, op. cit., p. 210. |
| 6-48 |
Ibid.,
p. 211. |
| 6-49 |
A.
Sierz, op. cit., p. 107. |
| 6-50 |
Ibid. |
| 6-51 |
H.
Stephenson and N. Langridge, op. cit., p. 198. |
| 6-52 |
A.
Sierz, op. cit., p. 102. |
| 6-53 |
H.
Stephenson and N. Langridge, op. cit., p. 197. |
| 6-54 |
A.
Sierz, op. cit., p. 102. |
| 6-55 |
Ibid. |
| 6-56 |
Ibid.,
p. 98. |
| 6-57 |
A.
Artaud, op. cit, p. 125. |
| 6-58 |
J.
Thielemans, op. cit. |
| 6-59 |
S.
Kane, Crave, op. cit., p. 47. |
| 6-60 |
D.
Greig, op. cit., p. 14. |
| 6-61 |
Ibid.,
p. 15. |
| 6-62 |
J.
Thielemans, op. cit. |
| 6-63 |
S.
Kane, Crave, op. cit., p. 20. |
| 6-64 |
J.
Thielemans, op. cit. |
| 6-65 |
Ibid. |
| 6-66 |
Ibid. |
| 6-67 |
Ibid. |
| 6-68 |
J.
Thielemans, op. cit. |
| 6-69 |
N.
Tabert, op. cit. |
| 6-70 |
S.
Kane, 4.48 Psychosis, op. cit., p. 27. |
| 6-71 |
S.
Kane, 4.48 Psychosis, op. cit., p. 24, 41. |
| 6-72 |
Ibid.,
p. 29. |
| 6-73 |
Ibid.,
p. 20. |
| 6-74 |
Ibid.,
p. 11. |
| 6-75 |
S.
Clapp, 'Blessed Are The Bleak', Observer, 2 July,
2000. |
|
Conclusion, Bibliography
|
| 7-01 |
D.
Dromgoole, op. cit., p. 162. |
| 7-02 |
A.
Sierz, op. cit., p. 118. |
| 7-03 |
S.
Kane, Crave, op. cit., p. 40. |
Copyright © Gaëlle Ranc,
2002
|
