ZakesMokae
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theatre in South Africa 50s-60sTheatre in the making. Zakes Mokae and Athol Fugard at the beginning of their careers in apartheid South Africa. Together they tackled original plays by Fugard as well as modern classics such as Beckett and Pinter. International success also encouraged Mokae to escape apartheid and move to the London stage. Athol Fugard No-Good Friday 1958Fugard´s first significant play. Performed in Johannesburg with Fugard as Higgins and Zakes Mokae
as the thug. For a performance to a segregated white audience Fugard (the
only white role) was replaced by a black actor. "Mokae struck Fugard as ideally suitable
for a thug, a small role he gave him in No-Good Friday, in which he
plays one of Shark's sidekicks. Fugard recalls a
growing sense of Mokae ´being a very special person´,
which led him to write the role of Blackie, Queeny´s
crippled and violent hanger-on in Nongogo, especially for
him" from Dennis Walder´s Athol Fugard. Athol Fugard Nongogo 1959Athol Fugard´s early play was performed in 1959 in Johannesburg with Zakes Mokae as Blackie. Nongogo is slang for a cheap prostitute.
Mokae says "I met Athol in the 50s...I was playing the saxophone in those days. Somehow we got around to doing some plays just for the fun of it and because we believed in it. We... did plays about the ghetto- Nongogo and No-Good Friday. The actors were not only acting, but also finding the props, building the scenery, doing whatever needed to be done. I think it was there that Athol developed his style of writing for small casts in one location. He wouldn't write for a lot of people because half the time they weren't going to show up".
Mary Benson in Twentieth Century Literature says "Fugard cast Mokae as a township thug in No-Good Friday, and then wrote the role of Blackie, Queenie's crippled and violent hanger-on in Nongogo, especially for him, and this, Fugard said, "was the start of one of the really rich working relationships of my life". Photo left of rehearsal of Nongogo from Stephen Gray´s "Athol Fugard", Photo above of Fugard rehearsing Mokae in Nongogo from Walder´s "Athol Fugard". Harold Pinter The Dumb Waiter 1961Harold Pinter's play, as part of the Rehearsal Room days in 1961 with Athol Fugard.
Samuel Beckett Waiting for GodotBeckett's most famous play directed by Athol Fugard. Samuel Beckett Krapp's Last TapeBeckett's solo piece as an ageing Krapp is confronted with his younger self. Also directed by Athol Fugard. Athol Fugard The Blood Knot 1961Fugard says this was the first play, in 1961, in which he discovered his voice. It was his first international success with himself and Zakes Mokae playing the two roles in 1961. Two brothers, both are ethnically black but one could pass for white. The "white" one has written a letter to a white girl who will visit him. Gradually the fear of her visit takes over. The two are a metaphor for South Africa and the separate races. Zakes´ character is called Zak (almost his own name). The play lasted for 3-4 hours and when Mokae and Fugard forgot the lines they would ad lib during performances.
The photo of Mokae in Blood Knot comes from Walder´s "Athol Fugard". J.A. Brown Angel Feathers on the RoofPerformed in Johannesburg and then London in 1962. Mokae directed. Confirmation of these details and any other information is welcome. |
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