| Decoding
Sarah Kane
Dimensions of Metaphoricity in Cleansed
by
Timo Pfaff
Johannes Gutenberg
University, Mainz (Germany), 2004
Works Cited
| Primary
Source |
|
|
| Kane, Sarah
|
|
Cleansed. London: Methuen,
1998. |
| Secondary
Sources |
|
|
| “Androgyny.” |
|
Dictionary of Literary Themes
and Motifs.
Ed. Jean-Charles Seigneuret. New York: Greenwood,
1988.
|
| Barthes, Roland |
|
A Lover’s Discourse:
Fragments. Trans. Richard Howard.
London: Penguin, 1979.
|
| Benedict, David |
|
Independent. 9 May 1998. Rpt.
in Theatre Record 18.9
(23 Apr.-6 May): 564-65.
|
| Clapp, Susannah |
|
Observer. 10 May 1998. Rpt.
in Theatre Record 18.9
(23 Apr.-6 May): 566.
|
Fludernik, Monika,
Donald C. Freemann
and Margaret H. Freeman |
|
“Metaphor and Beyond:
An Introduction.” Poetics Today. 20.3
(1999): 383-96. |
| Kövecses, Zoltán |
|
Metaphor—A Practical
Introduction. Oxford: UP, 2002.
|
| Lakoff, George and Mark
Johnson |
|
Metaphors We Live By.
Chicago: UP, 1980. |
| Lakoff, George and Mark
Turner |
|
More than Cool Reason: a
Field Guide to Poetic Metaphor.
Chicago: UP, 1989.
|
| “Literal.” |
|
The Oxford English
Dictionary. 2nd ed. 1989.
|
| Marlowe, Sam |
|
What’s On. 13 May 1998.
Rpt. in Theatre Record 18.9
(23 Apr.-6 May): 566-67.
|
| Nietzsche, Friedrich |
|
“On Truth and Lie in an
Extra-Moral Sense.”
15 March 2005. <http://
www.geocities.com/thenietzschechannel/tls.htm>.
|
| Opel, Anna. Sprachkörper |
|
—Zur Relation von
Sprache und Körper in der zeitgenössischen
Dramatik—Werner Fritsch, Rainald Goetz,
Sarah Kane.
Bielefeld: Aisthesis, 2002.
|
| Peter, John |
|
Sunday Times. 10 May 1998.
Rpt. in Theatre Record 18.9
(23 Apr.-6 May): 564.
|
| Plato |
|
Symposium. Trans. Robin
Waterfield. Oxford: UP, 1994.
Rauscher, Josef. Sprache und Ethik:
die Konstitution der Sprache und der Ursprung des
Ethischen
in der Grundkonstellation von Antwort und
Verantwortung.
Würzburg: Königshausen & Naumann, 2001.
|
| Saunders, Graham |
|
Love Me or Kill Me: Sarah
Kane and the Theatre of Extremes.
Manchester: UP, 2002.
|
| Scarry, Elaine |
|
Introduction. By Scarry. The
Body in Pain-
The Unmaking and Making of the World.
New York: Oxford UP, 1985. 3-23.
|
| Sierz, Alex |
|
In-Yer-Face Theatre- British
Drama Today.
London: Faber & Faber, 2000.
|
| Stephenson, Heidi and Natasha
Langridge |
|
Rage and Reason- Women
Playwrights on Playwriting.
London: Methuen, 1997.
|
| Tabert, Nils |
|
Playspotting- Die Londoner
Theaterszene der 90er.
Hamburg: Rowohlt, 1998.
|
| Urban, Ken |
|
“An Ethics of
Catastrophe: The Theatre of Sarah Kane.”
PAJ: A Journal of Performance and Art 69 (2001):
36-46.
|
| Wilshire, Bruce |
|
Role Playing and Identity.
The Limits of Theatre as Metaphor.
Indiana: UP, 1982.
|
reproduced on the site with the kind
permission of the author
©Timo Pfaff 2005
|
