| Works Cited
|
| 1 |
ARTseenSOHO.
Antonin Artaud: Selected Readings. Excerpt from
“Van Gogh: The
Man Suicided by Society (originally published in
Paris, in 1947). 5 May, 2007 www.artseensoho.com/Life/readings/artaud.html
(opens in new window).
|
| 2 |
Geometry
in Art & Architecture. Number Symbolism in
the Middle Ages. 7 May, 2007.
www.
dartmouth.edu/~matc/math5.geometry/unit8.html
(opens in new window).
|
| 3 |
Kane,
Sarah. Sarah Kane: Complete Plays. London,
Methuen Books. Introduction by
David Greig, 2001.
|
| 4 |
Kilpatrick,
David. The Royal Court Brings Britain’s
Tragic Voice to Brooklyn: Sarah Kane’s 4:48
Psychosis at St. Ann’s Warehouse. The
Brooklyn Rail. October, 2004.
www.thebrooklynrail.org/theater/oct04/psychosis.html
(opens in new window).
|
| 5 |
Ravenhill,
Mark. The Beauty of Banality. The Guardian.
October 28, 2006.
|
| 6 |
Urban,
Ken. An Ethics of Catastrophe: The Theater of
Sarah Kane. Johns Hopkins.
www.iainfisher.com/kane/eng/sarah-kane-study-ku.html
.
|
| 7 |
University
Press. PAJ (A Journal of Performance and Art).
No. 69 (2001) pp. 56-66.
|
|
Notes
|
| [1] |
Quoted
from Sarah Kane, 4:48 Psychosis, in Sarah Kane:
Complete Works, p. 241.
See Works Cited for full citation. |
| [2] |
Citations
and quotes attributed to Greig derive from his
Introduction to Sarah Kane: Complete Plays. (x,
xviii). See Works Cited. |
| [3] |
All
references and page numbers indicated as Urban
derive from Ken Urban’s article, An Ethics
of Catastrophe: The Theater of Sarah Kane.
See Works Cited. |
| [4] |
Greig
quote from page x of Introduction to Sarah Kane:
Complete Plays. |
| [5] |
From
Introduction to Sarah Kane: Complete Works, page
xvi. |
| [7] |
Ibid
210. |
| [8] |
All
references and page numbers indicated as Urban
derive from Ken Urban’s article, An Ethics
of Catastrophe: The Theater of Sarah Kane. See
Works Cited. |
| [9] |
All
references indicated as Ravenhill derive from his
article, The Beauty of Brutality. See Works Cited
for full citation. |
| [10] |
From
fragment seven of 4:48 Psychosis (page 213 of
Sarah Kane: Complete Plays. |
| [11] |
From
Introduction, page xvii, Sarah Kane: Complete
Plays. |
| [12] |
From
David Kilpatrick’s article, The Royal Court
Brings Britain’s Tragic Voice to Brooklyn:
Sarah Kane’s 4:48 Psychosis at St.
Ann’s Warehouse. See Works Cited. |
| [13] |
From
Greig’s comments in Introduction, p. xvii. |
| [14] |
Page
205, Sarah Kane: Complete Plays. |
| [15] |
Page
120, in Sarah Kane: Complete Plays. |
| [16] |
ibid
149. |
| [17] |
ibid
xiii. |
| [18] |
Quotes
are derived from T. S. Eliot’s The Love Song
of J. Alfred Prufrock. |
| [19] |
Page
206-7, Sarah Kane: Complete Plays. |
| [20] |
From
Number Symbolism in the Middle Ages. Page 14. See
Works Cited. |
| [21] |
See
Works Cited for full citation. |
| [22] |
Page
209, Sarah Kane: Complete Plays. |
| [23] |
ibid. |
| [24] |
ibid. |
| [25] |
ibid
210. |
| [26] |
ibid
210. |
| [27] |
Ibid
212-214 for the remaining quotes on the following
pages, 16-21. |
| [28] |
Ibid
212. |
| [29] |
Ibid
213. Remainder of quotes are from page 213. |
| [30] |
Japanese
form of ritual suicide. |
